Point of Departure, Mary’s Ideas

01-01-2022 Point of Departure

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Mary's Ideas

“This is to emphasize the creativity that complements the seriousness of the Umlaut Big Band and the Williams project at every turn. Gerbal is sufficiently interested in the traditional art of jazz drumming to make appropriate distinctions between the different time frames of this music, ranging over a 50-year period from 1930 to 1981. Others are sufficiently liberated to imagine that an improvised solo is more about the musical language of the improviser than the work he’s improvising on. In a way, they might be Williams’ ideal interpreters. ” Stuart Broomer

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Point of Departure, Mary’s Ideas