{"id":5213,"date":"2024-03-26T12:28:43","date_gmt":"2024-03-26T11:28:43","guid":{"rendered":"https:\/\/www.umlautrecords.com\/umlaut-festival-2024\/"},"modified":"2024-06-25T11:14:43","modified_gmt":"2024-06-25T09:14:43","slug":"umlaut-festival-2024","status":"publish","type":"page","link":"https:\/\/www.umlautrecords.com\/fr\/umlaut-festival-2024\/","title":{"rendered":"Umlaut Festival 2024"},"content":{"rendered":"<p><span class=\"s1\">Le Festival Umlaut revient du 26 au 28 avril 2024 \u00e0 la Gare XP !\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5102 \" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-affiche-1-727x1024.png\" alt=\"\" width=\"271\" height=\"382\" srcset=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-affiche-1-727x1024.png 727w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-affiche-1-790x1113.png 790w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-affiche-1-213x300.png 213w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-affiche-1-768x1082.png 768w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-affiche-1-490x690.png 490w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-affiche-1.png 853w\" sizes=\"auto, (max-width: 271px) 100vw, 271px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5161 \" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-727x1024.png\" alt=\"\" width=\"272\" height=\"383\" srcset=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-727x1024.png 727w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-790x1113.png 790w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-213x300.png 213w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-768x1082.png 768w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-1091x1536.png 1091w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-1454x2048.png 1454w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-490x690.png 490w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-flyer-verso-301x424-web-1-1-scaled.png 1818w\" sizes=\"auto, (max-width: 272px) 100vw, 272px\" \/><\/p>\n<p><strong>LA GARE XP<\/strong>\u00a0: 18 Bd S\u00e9rurier, 75019 Paris \/\u00a0<span class=\"s1\">Open pricing, no reservation.<\/span><\/p>\n<h2>Souvenirs du festival Umlaut 2024<\/h2>\n<p>&nbsp;<\/p>\n<p>Jetez un regard en arri\u00e8re au festival Umlaut<\/p>\n<p><iframe loading=\"lazy\" title=\"Festival Umlaut 2024\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/uzcVsF_-aog?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Glissez une oreille aux concerts du festival<\/p>\n<p><iframe loading=\"lazy\" title=\"Umlaut Festival\" width=\"100%\" height=\"180\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2FRadioRadioToulouse%2Fplaylists%2Fumlaut-festival-2023%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p>Concerts et interviews r\u00e9alis\u00e9es par Manu Mur\u00e9 pour RadioRadioToulouse.<\/p>\n<p>En d\u00e9couvrir plus : <a href=\"https:\/\/www.mixcloud.com\/RadioRadioToulouse\/playlists\/umlaut-festival-2023\/?fbclid=IwAR0MdpovAje7q24X2bGnl50BG-Rq6Lt4OTu449bQNJBuTvC9GMV8FG915VM\">Concerts et interviews<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #f9b000;\"><em>VENDREDI 26 AVRIL &#8211; 20H30<\/em><\/span><strong><span style=\"color: #f9b000;\"><em><br \/>\n<\/em><\/span><\/strong><\/h2>\n<p><span style=\"color: #f9b000;\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5163 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-vous--waclaw-szpakowski-300x189.jpg\" alt=\"\" width=\"300\" height=\"189\" srcset=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-vous--waclaw-szpakowski-300x189.jpg 300w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-vous--waclaw-szpakowski-790x497.jpg 790w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-vous--waclaw-szpakowski-768x483.jpg 768w, https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-vous--waclaw-szpakowski.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/> <strong>VOUS<\/strong> &#8211; <span style=\"font-weight: 400;\">Chansons traditionnelles revisit\u00e9es<\/span><br \/>\n<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Olga Kozie\u0142 (voix), <\/span><span style=\"font-weight: 400;\">Maria St\u0119pie\u0144 (violon), <\/span><span style=\"font-weight: 400;\">S\u00e9bastien Beliah (contrebasse) <\/span><span style=\"font-weight: 400;\">Hannes Lingens (percussions)<br \/>\n<\/span><\/p>\n<p style=\"text-align: left;\"><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc22cf9023489575' value='6a005c3cc22cf9023489575'><input type='hidden' id='bg-show-more-text-6a005c3cc22cf9023489575' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc22cf9023489575' value='Show less'><a id='bg-showmore-action-6a005c3cc22cf9023489575' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc22cf9023489575' ><span style=\"font-weight: 400\">Partir des chants traditionnels de Pologne pour en faire un terrain de jeu \u00e0 l&rsquo;improvisation. Trouver un territoire commun qui traverse les \u00e2ges et fait fi des cartes et fronti\u00e8res. Chercher \u00e0 revenir au chant primaire, celui qui aurait inspir\u00e9 toutes les chansons. Aller l\u00e0 o\u00f9 instruments et voix ne font plus qu&rsquo;un. <\/span><span style=\"font-weight: 400\">Avec comme point de d\u00e9part le dialogue musical d\u00e9but\u00e9 il y a plus de dix ans entre Olga Kozie\u0142 et S\u00e9bastien Beliah, le duo ouvre aujourd&rsquo;hui la porte de cet espace pour y inviter Maria St\u0119pie\u0144 et Hannes Lingens.<\/span><\/p>\n<p>Photo : <em>@Wac\u0142aw Szpakowski<\/div><\/div><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5172 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-design-sans-titre-26.png\" alt=\"\" width=\"300\" height=\"189\" \/><strong>CHACONNES<\/strong> &#8211; <span style=\"font-weight: 400;\">Chaconnes d\u2019hier et d\u2019aujourd\u2019hui<\/span><\/p>\n<p>Yannick Gu\u00e9don (voix), Amaryllis Billet (violon), composition de Jean-S\u00e9bastien Bach et de Karl Naegelen<\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc24305076827398' value='6a005c3cc24305076827398'><input type='hidden' id='bg-show-more-text-6a005c3cc24305076827398' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc24305076827398' value='Show less'><a id='bg-showmore-action-6a005c3cc24305076827398' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc24305076827398' ><span style=\"font-weight: 400\">Dans ce programme, une pi\u00e8ce pour voix seule cr\u00e9\u00e9e pour le festival est mise en regard d\u2019un grand classique du r\u00e9pertoire violonistique. <\/span><span style=\"font-weight: 400\">Progresser lentement, au gr\u00e9 de souffles, de sifflements et d&rsquo;harmoniques. Laisser le temps \u00e0 l\u2019\u00e9coute de se faufiler entre les pas d&rsquo;une danse imaginaire.\u00a0<\/span><span style=\"font-weight: 400\">\u00c9crite en lien avec les territoires sonores de Yannick Gu\u00e9don, cette \u0153uvre polyphonique pour voix seule est centr\u00e9e sur une exploration des harmoniques. Amaryllis Billet interpr\u00e8te la chaconne issue de la 2\u00e8me partitia de Bach, un des grands classiques du r\u00e9pertoire pour violon. Le compositeur d\u2019Eisenach, en v\u00e9ritable alchimiste de l\u2019instrument, a insuffl\u00e9 au violon une multiplicit\u00e9 de voix qui se d\u00e9clinent sur une basse obstin\u00e9e &#8211; tant\u00f4t entendue, tant\u00f4t sous-entendue\u2026 tra\u00e7ant comme une ligne en pointill\u00e9 de l\u2019\u00e9coute.<br \/>\n<\/span><\/p>\n<p>Photo : <em>@Thomas Bernardet<\/div><\/div><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5176 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-design-sans-titre-27.png\" alt=\"\" width=\"300\" height=\"189\" \/><strong>SBATAX + GROSS<\/strong> &#8211; <span style=\"font-weight: 400;\">Electrospires<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bertrand Denzler (saxophone t\u00e9nor), <\/span><span style=\"font-weight: 400;\">Antonin Gerbal (batterie), <\/span><span style=\"font-weight: 400;\">Jean-Philippe Gross (dispositif \u00e9lectroacoustique)\u00a0<\/span><\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc25360013290645' value='6a005c3cc25360013290645'><input type='hidden' id='bg-show-more-text-6a005c3cc25360013290645' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc25360013290645' value='Show less'><a id='bg-showmore-action-6a005c3cc25360013290645' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc25360013290645' ><span style=\"font-weight: 400\">Sbatax (Denzler-Gerbal) invite Jean-Philippe Gross. Au croisement de la musique \u00e9lectronique et instrumentale, les trois musiciens se concentrent sur un flux persistant, alimentant la vitesse de motifs et de fragments qui s&rsquo;entrem\u00ealent, se superposent, se transforment et se r\u00e9injectent pour cr\u00e9er des cycles et des spirales.<\/span><\/p>\n<p>Photo : @<em>Ignacio Dansillio<\/em> @<em>Greff<\/div><\/div><\/em><\/p>\n<h2><\/h2>\n<h2 style=\"text-align: left;\"><span style=\"color: #f9b000;\"><em>SAMEDI 27 AVRIL &#8211; 20H30<\/em><\/span><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5182 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-design-sans-titre-28.png\" alt=\"\" width=\"300\" height=\"189\" \/><strong>JOEL GRIP &amp; SEYMOUR WRIGHT<\/strong> &#8211; <span style=\"font-weight: 400;\">Tending, extending and ending standards<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Seymour Wright (saxophone alto), <\/span><span style=\"font-weight: 400;\">Joel Grip (contrebasse)<\/span><\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc26261024444280' value='6a005c3cc26261024444280'><input type='hidden' id='bg-show-more-text-6a005c3cc26261024444280' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc26261024444280' value='Show less'><a id='bg-showmore-action-6a005c3cc26261024444280' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc26261024444280' > <span style=\"font-weight: 400\">Joel Grip, contrebasse, et Seymour Wright, saxophone alto, jouent en duo. Des standards qui s&rsquo;encha\u00eenent, se prolongent et se terminent.<\/span><span style=\"font-weight: 400\"><em><\/div><\/div><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5248 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/04\/umlaut-umlaut-festival-2024-8.png\" alt=\"\" width=\"300\" height=\"189\" \/>STRANGE STRINGS<\/strong> &#8211; <span style=\"font-weight: 400;\">Ensemble de cordes Umlaut<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Composition de Katt Hernandez<br \/>\n<\/span><span style=\"font-weight: 400;\">Amaryllis Billet, Sebastien Beliah, Pierre-Antoine Badaroux, Eve Risser, Antonin Gerbal, Joel Grip, Olga Koziel, Maria St\u0119pie\u0144, Bertrand Denzler, Manu Scarpa (instruments \u00e0 cordes)<\/span><\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc271a2087915574' value='6a005c3cc271a2087915574'><input type='hidden' id='bg-show-more-text-6a005c3cc271a2087915574' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc271a2087915574' value='Show less'><a id='bg-showmore-action-6a005c3cc271a2087915574' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc271a2087915574' ><span style=\"font-weight: 400\">En 1966, alors qu&rsquo;il aper\u00e7oit un assemblage h\u00e9t\u00e9roclite d&rsquo;instruments \u00e0 cordes dans la vitrine d&rsquo;un magasin d&rsquo;antiquit\u00e9s, le compositeur-penseur-pianiste-chef d&rsquo;orchestre-po\u00e8te Sun Ra con\u00e7oit l&rsquo;id\u00e9e d&rsquo;une composition qui serait une \u00ab\u00a0exp\u00e9rience de l&rsquo;ignorance\u00a0\u00bb. Il ach\u00e8te alors l&rsquo;ensemble des instruments (europ\u00e9ens ou extra-europ\u00e9ens, \u00e0 cordes pinc\u00e9es ou frott\u00e9es) et les apporte \u00e0 ses musiciens.<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">En remettant aux musiciens des instruments qu&rsquo;ils ne maitrisent pas (ils sont principalement instrumentistes \u00e0 vent), Sun Ra s&rsquo;offre la possibilit\u00e9 d&rsquo;une musique inou\u00efe, brute, lib\u00e9r\u00e9e de tout pass\u00e9 et r\u00e9solument tourn\u00e9e vers le futur et l&rsquo;ailleurs. Les pistes \u00ab\u00a0Strings Strange\u00a0\u00bb et \u00ab\u00a0Strange Strange\u00a0\u00bb grav\u00e9es dans l&rsquo;album <\/span><i><span style=\"font-weight: 400\">Strange Strings <\/span><\/i><span style=\"font-weight: 400\">en t\u00e9moignent.<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">Le collectif Umlaut passe aujourd&rsquo;hui commande \u00e0 la violoniste et compositrice am\u00e9ricaine Katt Hernandez pour revenir sur cette oeuvre singuli\u00e8re, et approfondir une r\u00e9flexion sur l&rsquo;histoire, la notation, le spontan\u00e9, le pr\u00e9d\u00e9fini et l&rsquo;imaginaire sonore.<\/span><span style=\"font-weight: 400\"><em><\/div><\/div><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5261 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/04\/umlaut-umlaut-festival-2024-design-sans-titre-33.png\" alt=\"\" width=\"300\" height=\"189\" \/>RED DESSERT EXPERIENCE<\/strong> &#8211; Strange floor<\/p>\n<p><span style=\"font-weight: 400;\">M\u00e9lissa Hi\u00e9 (djemb\u00e9, balafon), <\/span><span style=\"font-weight: 400;\">Oph\u00e9lia Hi\u00e9 (balafon, percussions), <\/span><span style=\"font-weight: 400;\">Tatiana Paris (guitare), <\/span><span style=\"font-weight: 400;\">Emmanuel Scarpa (batterie), <\/span><span style=\"font-weight: 400;\">David Merlo (basse), <\/span><span style=\"font-weight: 400;\">Eve Risser (piano), et invit\u00e9s surprises\u00a0<\/span><\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc286f4010894624' value='6a005c3cc286f4010894624'><input type='hidden' id='bg-show-more-text-6a005c3cc286f4010894624' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc286f4010894624' value='Show less'><a id='bg-showmore-action-6a005c3cc286f4010894624' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc286f4010894624' ><span style=\"font-weight: 400\">Dessert dansant orchestral et rouge dans une forme Umlaut<\/span><span style=\"font-weight: 400\"><em><\/div><\/div><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><em><span style=\"color: #f9b000;\">DIMANCHE 28 AVRIL &#8211; 19H00<\/span><\/em><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5191 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-design-sans-titre-29.png\" alt=\"\" width=\"300\" height=\"189\" \/><strong>R\u00c9CIFS\/\u00c9TOCS<\/strong> &#8211; T<span style=\"font-weight: 400;\">ranse de salon<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Composition de Joris R\u00fchl<br \/>\n<\/span><span style=\"font-weight: 400;\">Joris R\u00fchl, L\u00e9a Castello, Thibaud Tupinier, Alexandre Morard (clarinette)<\/span><\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc29287093948896' value='6a005c3cc29287093948896'><input type='hidden' id='bg-show-more-text-6a005c3cc29287093948896' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc29287093948896' value='Show less'><a id='bg-showmore-action-6a005c3cc29287093948896' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc29287093948896' ><span style=\"font-weight: 400\">Avec \u00c9tocs, Joris R\u00fchl conclut un diptyque consacr\u00e9 au quatuor de clarinette entam\u00e9 l&rsquo;an dernier par son premier volet R\u00e9cifs. Il y \u00e9labore un univers minutieux et hypnotique dans lequel son go\u00fbt pour l&rsquo;exploration instrumentale associ\u00e9 \u00e0 la pr\u00e9cision temporelle permise par ses partitions vid\u00e9os suscitent mille et une surprises pour l&rsquo;oreille.\u00a0<\/span><span style=\"font-weight: 400\">R\u00e9cifs propose \u00e0 l&rsquo;auditeur une exp\u00e9rience d&rsquo;hypnose, l&rsquo;incite \u00e0 s&rsquo;abandonner \u00e0 une perception floue de la temporalit\u00e9, le temps d&rsquo;une travers\u00e9e de plus de vingt minutes. \u00c9tocs est compos\u00e9 d&rsquo;une s\u00e9rie de cinq parties encha\u00een\u00e9es, pour une dur\u00e9e totale d&rsquo;environ 30 minutes ; ce volet prolonge l&rsquo;exp\u00e9rience m\u00e9ditative, mais les couleurs successives de ces cinq moments animeront le tableau g\u00e9n\u00e9ral avec plus de vivacit\u00e9. Chacune de ces miniatures explorera un \u00e9tat sonore bien d\u00e9fini et distinct des autres, comme autant d&rsquo;\u00e9tocs, ces protub\u00e9rances rocheuses \u00e0 proximit\u00e9 des rivages, dont les figures \u2013 progressivement r\u00e9v\u00e9l\u00e9es ou escamot\u00e9es au gr\u00e9 des mar\u00e9es \u2013 sont singuli\u00e8res mais dont on sait qu&rsquo;ils sont reli\u00e9s entre eux au sein d&rsquo;un ensemble g\u00e9ologique coh\u00e9rent.<\/span><span style=\"font-weight: 400\"><em><\/div><\/div><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5193 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-design-sans-titre-30.png\" alt=\"\" width=\"300\" height=\"189\" \/><strong>OCCAM XXII<\/strong> &#8211; Chant harmonique<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Composition d&rsquo;Eliane Radigue<br \/>\n<\/span><span style=\"font-weight: 400;\">Yannick Gu\u00e9don: voix<\/span><\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc29ff4021442824' value='6a005c3cc29ff4021442824'><input type='hidden' id='bg-show-more-text-6a005c3cc29ff4021442824' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc29ff4021442824' value='Show less'><a id='bg-showmore-action-6a005c3cc29ff4021442824' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc29ff4021442824' ><span style=\"font-weight: 400\">OCCAM XXII fait partie du cycle OCCAM OCEAN <\/span><span style=\"font-weight: 400\">compose\u0301 de solos, de duos jusqu&rsquo;a\u0300 des pie\u0300ces pour orchestre. Chaque pie\u0300ce est un moment d\u2019e\u0301change et de partage entre la compositrice et les musicien\u00b7ne\u00b7s. Ensemble, iels cherchent un nouveau sche\u0301ma de communication intuitif, la\u0300 ou\u0300 ne peut e\u0302tre utilise\u0301 aucun syste\u0300me de notation. L\u2019instrument devient un corps dont le musicien explore la re\u0301sonance de l\u2019infime au maximum, le large spectre de ses ondulations vibratoires, \u00ab <\/span><i><span style=\"font-weight: 400\">des grandes houles profondes aux vaguelettes des beaux jours d\u2019e\u0301te\u0301 <\/span><\/i><span style=\"font-weight: 400\">\u00bb pre\u0301cise Eliane Radigue.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cMa rencontre avec E\u0301liane Radigue nai\u0302t de notre gou\u0302t commun pour la variation infime de timbres, mais aussi pour l\u2019e\u0301tirement, l\u2019e\u0301panouissement d&rsquo;un phe\u0301nome\u0300ne sonore en forme musicale. On pourrait dire que OCCAM XXII nai\u0302t d\u2019une rencontre nourrie d&rsquo;attentions. Une attention aux micro-variations de timbres, aux harmoniques qui flottent au-dessus d\u2019une fondamentale, mais aussi, au-dela\u0300 du son, une attention a\u0300 la situation telle qu\u2019elle est en train de se cre\u0301er dans le moment du concert.\u201d Yannick Gue\u0301don\u00a0<\/span><\/p>\n<p>Photo : @Eleonore-Huisse<span style=\"font-weight: 400\"><em><\/div><\/div><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5195 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-design-sans-titre-31.png\" alt=\"\" width=\"300\" height=\"189\" \/><strong>SOLO IMPROVISATION<\/strong> &#8211;<span style=\"font-weight: 400;\">Violon, scordature Fa# et voix (de temps en temps)<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Katt Hernandez (violon, voix)<\/span><\/p>\n<p><div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc2b334052293007' value='6a005c3cc2b334052293007'><input type='hidden' id='bg-show-more-text-6a005c3cc2b334052293007' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc2b334052293007' value='Show less'><a id='bg-showmore-action-6a005c3cc2b334052293007' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc2b334052293007' ><span style=\"font-weight: 400\">Katt Hernandez donne des concerts d&rsquo;improvisation en solo depuis de nombreuses ann\u00e9es, \u00e0 travers une forme de langage fou en constante \u00e9volution, puis\u00e9 dans une grande vari\u00e9t\u00e9 de musiques acoustiques, \u00e9lectroniques et marginales du monde entier<\/span><span style=\"font-weight: 400\"><em><\/div><\/div><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5197 alignleft\" src=\"https:\/\/www.umlautrecords.com\/wp-content\/uploads\/2024\/03\/umlaut-umlaut-festival-2024-design-sans-titre-32.png\" alt=\"\" width=\"300\" height=\"189\" \/><\/p>\n<p><strong>GARENNE<\/strong> &#8211; <span style=\"font-weight: 400;\">\u00a0Bal massif central<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cl\u00e9mence Cognet (violon et voix), <\/span><span style=\"font-weight: 400;\">No\u00ebllie Nioulou (violon, violoncelle et voix)\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"> <div class=\"bg-margin-for-link\"><input type='hidden' bg_collapse_expand='6a005c3cc2bec8098479889' value='6a005c3cc2bec8098479889'><input type='hidden' id='bg-show-more-text-6a005c3cc2bec8098479889' value='Show more'><input type='hidden' id='bg-show-less-text-6a005c3cc2bec8098479889' value='Show less'><a id='bg-showmore-action-6a005c3cc2bec8098479889' class='bg-showmore-plg-link bg-arrow '  style=\" color:#18213E;;\" href='#'>Show more<\/a><div id='bg-showmore-hidden-6a005c3cc2bec8098479889' ><\/span><span style=\"font-weight: 400\">Le duo Garenne nait en 2008 se nommant alors \u201cLes Poufs \u00e0 Cordes\u201d suite \u00e0 une rencontre au sein de l\u2019association Les Brayauds. <\/span><span style=\"font-weight: 400\">L\u2019envie de travailler le r\u00e9pertoire des musiciens et musiciennes du massif central est apparu tr\u00e8s rapidement et donna naissance \u00e0 un bal. En 2013 Les Poufs \u00e0 Cordes enregistrent leur premier disque produit par l\u2019AEPEM et enregistr\u00e9 par Aurelien Tanghe. Celui-ci vient fixer plusieurs ann\u00e9es de pratique d\u2019un repertoire \u00e9prouv\u00e9 \u00e0 de nombreuses reprises lors des bals. Par la suite elles vont faire la proposition au duo \u00abD\u2019en Haut\u00bb de la compagnie HART BRUT de cr\u00e9er ensemble un r\u00e9pertoire de concert autour des musiques d\u2019auvergne et de Gascogne et ainsi commencer l\u2019exploration de nouvelles mati\u00e8res sonores d\u00e9di\u00e9es \u00e0 une musique exclusivement de concert. <\/span><span style=\"font-weight: 400\">En 2021 elles fondent avec les groupes Bourrasque et B\u00f2sc le collectif de musiciennes LA CRUE, et se d\u00e9tachent de leur nom \u00ab Les Poufs \u00e0 Cordes\u00bb qui devient \u00ab Garenne\u00bb.<\/span><span style=\"font-weight: 400\"><em><\/div><\/div><\/em><\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Festival Umlaut revient du 26 au 28 avril 2024 \u00e0 la Gare XP !\u00a0 LA GARE XP\u00a0: 18 Bd S\u00e9rurier, 75019 Paris&hellip;<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/umlaut-festival.php","meta":{"_acf_changed":false,"footnotes":""},"categories":[305],"tags":[],"class_list":["post-5213","page","type-page","status-publish","hentry","category-festival-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - 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